Description and Creativity conference

Approaches to collaboration and value from anthropology, art, science and technology

A conference at King's College, Cambridge

3rd - 5th July 2005

OpeningPanel 1  -  Panel 2  -  Panel 3  -  Panel 4  -  Closing

Panel 3: Ethnographic description and repatriation: usability and creativity

Tuesday 5th July, 9am – 12.30pm

Convenor: Lissant Bolton

What are the uses of anthropological or social science descriptions as understood by the subjects of ethnographic research? In what ways can these kinds of descriptions fit into people’s own projects, be made useful or useable? Should social scientists have this engaged focus? What other forms can description take, and how do they intersect with anthropological description. Can ethnographic writing be theorised as engagement.

Introductory comments (9am)

Lissant Bolton (9.10am)

Forms of knowledge: repatriating/constituting ethnographic description in Vanuatu, South Pacific

Abstract:
Ethnographic description is itself part of a (western, academic) knowledge system. As the goal of anthropological research, it is consituted by a series of theoretical understandings, and takes a specific intellectual form. Repatriating ethnographic description can involve a process of translation and negotiation between divergent knowledge systems. In Vanuatu, knowledge can be bought and traded, and there are complex systems of rights which determine who may know things. In response to the cultural and linguistic complexities of this small nation, the Vanuatu Cultural Centre has developed an extension worker program, which trains and encourages indigenous scholars to document and to revive local knowledge and practice through the archipelago. This programme has negotiated not only the diverse knowledge systems of the archipelago, but also distinct gender differences in the way in which knowledge is spoken and practiced. This paper discusses some of the negotiations necessary to the repatriation of ethnographic description in Vanuatu.

Bio:
Lissant Bolton is Curator of the Pacific and Australian collections at the British Museum. She has worked in Vanuatu, South Pacific since 1989, and is the author of 'Unfolding the Moon: Extending Kastom to Women in Vanuatu' (University of Hawaii Press, 2003). She has also published both on the anthropology of Vanuatu and on issues relating to museums and indigenous people. She is an advisor to the Vanuatu Cultural Centre, working with ni-Vanuatu women concerned to record, and to sustain, women's knowledge and practice through the country.

Mark Harris (9.40am)

Recovering the history of peasantries in the Brazilian Amazon, and some of its problems

Abstract:
This presentation considers two ways of mobilising the past amongst riverine peasants in the Brazilian Amazon. The first concerns my own use of unpublished documents in reconstructing a massive rebellion that took hold of the region in the mid to late 1830s. This project was prompted by one of my main informants who wanted me to write a ‘real history of peasants’. In the contrast, the second examines the reclaiming of the indigenous Amerindian identities of peasants living in the Tapajós valley of the Lower Amazon in order to assert secure collective land rights. These identities are essentially derived from the ethnic terms found in colonial documents, predating the rebellion by some one hundred years. At the centre of the presentation is the question of how anthropologists, historians, and other outsiders such as NGO personnel, know their concerns match those of the people they work with and for. What are the culturally specific forms of social memory in these peasant societies and how can academics appreciate the non-written arts of generating knowledge? My aim is to challenge the hubris that has accompanied such efforts in the Brazilian Amazon. In opposition to calls in anthropology for more and better theory, I argue what is needed is more and better ethnographic descriptions in order to overcome the hubristic tendency.

Bio:
Mark Harris has carried out fieldwork with peasant river dwellers in the Brazilian Amazon. Recently he started archival research on the region, focusing on the origins of a massive rebellion in the 1830s. His interests are in partnering knowledge and history, hybridity and religion. His publications include 'Life on the Amazon' (Oxford, 2000), 'Some other Amazonians' (edited with Stephen Nugent, London, 2004), 'The child in the city' (edited with Anna Grimshaw, Manchester, 2000), 'Teaching rites and wrongs' (edited with David Mills, Birmingham, 2004).

Harri Englund (10.10am)

Ethnographic description as witnessing: engaging with ‘Human Rights’ in Malawi

Abstract:
Contemporary sociocultural anthropology involves a variety of methods and procedures that seek to correct the discipline’s earlier tendencies towards reification and detachment. Collaborative Anthropology and Public Anthropology are currently popular labels for diverse intellectual and political standpoints. After a synopsis of these concerns, this paper considers some of the challenges that a strong official interest in Human Rights in Malawi presents to the ethnographer. After three decades of autocratic rule, Malawi has pursued a model of liberal democracy in which various authorities assert civil and political freedoms as the essence of Human Rights. The ethnographer’s dilemma has been to engage with this apparent consensus over the meaning and scope of Human Rights. While endorsed by politicians, NGOs and donor agencies, rights as freedoms appear confining, even meaningless, to the country’s impoverished majority. The paper examines how ethnographic description can become a form of witnessing that exposes highly particular interests in apparently universal dispositions. Complicity and self-indulgence, the two aspects of ethnographic witnessing that have so far received attention among anthropologists, turn out to be somewhat limiting notions when this mode of engagement is explored more fully. The paper concludes by arguing that the burden of witnessing can also be imposed on the ethnographer as a key existential and moral condition of knowledge production.

Bio:
Harri Englund began his ethnographic work in southern Africa by living with Mozambican refugees in the Malawi borderland in 1992-93. His relationships with villagers on both sides of the border have been sustained through several subsequent visits. His more recent ethnographic work has included, since 1996, research in a township of Malawi’s capital, among Human Rights NGOs and in the Malawi Broadcasting Corporation. His books include From War to Peace on the Mozambique-Malawi Borderland and the edited volumes Rights and the Politics of Recognition in Africa and A Democracy of Chameleons: Politics and Culture in the New Malawi.

Tea (10.45am)

Soumhya Venkatesan (11.15am)

You are skilled, we are knowledgeable: description, creativity and innovation in a ‘traditional Indian craft’

Abstract:
‘It is not easy to trace the origin of Pattamadai silk mats, a real work of aesthetics rather than the vision of the mat-weaver.’

Syed Muthahar, “University bid to revive dying skill’ in The Hindu, 23/11/1995

The term ‘traditional Indian craft’ glosses a complex trope involving material and discursive practices and objects, and, visions of the future and the past. This paper focuses on the making of craft mats in a South Indian town. Arguing that weavers who make the mats are only one kind of producer involved in their existence, the papers seeks to identify the others, at the same time focusing on the ways in which different inputs into the mats are masked by the overarching yet amorphous category of traditional Indian crafts. It asks how the mats are described at various points in their social lives and what different ethnographic approaches– whether concentrating on recovering an original meaning or production context; or thinking about the nexus between power and knowledge - can contribute to the understanding of their place they occupy in local, national and international networks. The paper hopes to emphasise the importance of a process-centred description, which focuses on objects not as exemplars but as things that engender relations between socially and physically distant people, and as instantiations of social relations, tensions and collusions.

Bio:
Soumhya Venkatesan’s research among Muslim craft weavers in Pattamadai town South India involved learning how to weave the mats for which the weavers are known throughout India. This has given her a unique perspective from which to think about the making of the Indian craft object. Soumhya’s publications include Crafting culture: Pattamadai mats from South India (2002). This accompanied an exhibition she curated at the Cambridge University Museum of Archaeology and Anthropology. She is currently preparing her doctoral thesis for publication. Soumhya will be leaving King’s College, Cambridge, where she is a Post-Doctoral Research Associate in Anthropology, for Manchester University to take up a lectureship in the Department of Social Anthropology.

David Mosse (11.45am)

Anti-social Anthropology: objectivity, objection and the ethnography of public policy and professional communities

Abstract:
This paper will focus on the ethnographic analysis of powerful institutions, drawing on the Dr Mosse's research on international aid and development projects.  David Mosse will show how influential informants sometimes object to ethnographic accounts, resist anthropological boundary making, and attempt to unpack academic knowledge back into relationships.

Bio:
Dr David Mosse is senior lecturer in social anthropology at the School of Oriental and African Studies. He is author of The Rule of Water: statecraft, ecology and collective action and Cultivating Development and has worked in development for Oxfam and the Department for International Development.

Perspectives on the session (12.15pm)

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