Description and Creativity conference

Approaches to collaboration and value from anthropology, art, science and technology

A conference at King's College, Cambridge

3rd - 5th July 2005

OpeningPanel 1  -  Panel 2  -  Panel 3  -  Panel 4  -  Closing

Panel 4: What is the point of description?

Tuesday 5th July, 1.30pm – 5pm

Convener: Marilyn Strathern

Description as politics: An old contrast between descriptive versus normative approaches in social science rears its head again at the beginning of the 21st Century. There are 'new' reasons to find much knowledge worthless, and description incomprehensible as an end in itself. Impatience with ethnographic detail is part of a politics of knowledge concerned with what bits of social science really contribute to society.

Marilyn Strathern (1.30pm)

Failing to describe

Abstract:
Following a brief introduction to the panel theme, this paper abuts the general normative question (what is the point of description?) with a descriptive observation of a particular case (lack of interest in the labour of ethnography). The account begins with an institution of higher education deeply committed to a research ethos, but in any arena than itself. When it thinks of itself as an institution, it is deeply committed to a management ethos. And with management protocols about the best use for information already in place, research with an ethnographic intent could only have descriptive ends. Is the institution's failure to describe itself as a social object, and thus as a certain kind of object of knowledge, simply lack of interest? Too obvious, too arcane? Shortage of skill [to do so], absence of relevance [to have the will]? No time [to spend], no funds [to waste]? This is not the only area in which the scope of description is upstaged by the very axiom that knowledge should be useful. But what it might suggest about the creativity of description remains interestingly open.

Bio:
Marilyn is William Wyse Professor of Social Anthropology at the University of Cambridge and Mistress of Girton College. In 2001 she received a DBE for services to social anthropology. While she is increasingly preoccupied with administration (the edited book, Audit Cultures (2000), subtitled Anthropological studies in accountability, ethics and the academy, touches on the institutionalisation of good practice), her research remains a lifeline. Starting in 1964, she has carried out fieldwork over several years in the Highlands of Papua New Guinea (Melanesia), the most recent field visit being in 1995. Her research interests have for some time been divided between Melanesian and British ethnography. Investigations in gender relations in PNG (Women in Between, 1972) and kinship in the UK (Kinship at the Core, 1981) together led to a critical appraisal of ongoing models of Melanesian societies (The Gender of the Gift, 1988), and of British consumer culture (After Nature, 1992). Debates around legislation following the Warnock Report stimulated an interest in reproductive technologies; a collaborative research project (1990-91) that examined some of the issues in the context of kinship was published as Technologies of Procreation (Edwards et al, 1993). Most recently she has been involved with colleagues, in PNG and the UK, in another collaborative study, this time of debates over intellectual and cultural property under the general title Property, Transactions and Creations (Transactions and Creations, ed with E Hirsch, 2004). Common elements in these projects come from an ongoing curiosity about languages of description.

Robert Thornton (1.50pm)

How does a University create value?

Abstract:
This paper explains the current vogue of managerialism in University governance in terms of what I call the 'Economist's As-if'. It asks whether universities can, in fact, be run 'like a business' as if they were market institutions. I argue that universities can be run in this way, but this entails certain costs. Comparing universities to other human endeavours that can be run 'as if' they were market institutions such as sex, war, and families, I conclude that while this is possible, it is not morally desirable, and has certain deleterious outcomes. The reason for this in the university has to do with the 'meta-knowledge' (implicit knowledge about how to gain and order knowledge) that universities embody. The aim of tertiary education should be to produce autonomous intellectual subjects who see themselves as citizens of a global community of knowledge and as masters of disciplinary ‘meta-knowledge’ which uniquely enables them to produce and evaluate knowledge, and to engage in critical conversation in the university, in the public domain and ultimately in the global community of knowledge. Since meta-knowledge is embodied in persons and practices, it cannot be ‘marketed’, and this is the reason why universities cannot (pragmatically), or should not (morally, normatively), be run ‘like a business’ and why their value is difficult to establish in economic terms of the market..

How to ‘do description’ is a fundamental part of this meta-knowledge, as is knowledge about how to construct good arguments. As other papers in this conference make clear, description is often ambiguous (its validity cannot be formally established) and many are ambivalent about its value. While Stephen Toulmin’s The Uses of Argument, (Cambridge UP, 1958) revolutionised thinking about how to construct an argument by describing it (claim, evidence, warrant), we have yet to describe description.

Bio:
Professor Robert Thornton studied at Stanford University and Makerere University, Uganda, from 1967 to 1972 (BA Stanford 1972), and The University of Chicago (PhD 1978), before teaching at University of Cape Town, South Africa from 1979-1989. He spent a year at the Institute for Advanced Study, Princeton, 1989-90, then at Rutgers University (NJ, USA) in 1990-91, and has been a member of the Anthropology Department of the University of the Witwatersrand in Johannesburg, South Africa, from 1992 to the present. He has published two books: ‘Space, Time and Culture among the Iraqw of Tanzania’ (Academic Press 1980) and ‘The Early Writing of Bronislaw Malinowski’ (Cambridge U Press, 1992), 21 articles in refereed journals, 17 chapters in edited books, 19 major consultant reports, and 20 reviews and other articles. He was a member of the seminar at American School of Research that resulted in the book ‘Writing Culture’ (1986, edited by J Clifford and G Marcus), and has conducted ethnographic research in East Africa and South Africa. Current active research areas include HIV/AIDS and medical anthropology (in Uganda and South Africa), and ethnography of traditional healers, traditional authorities, land and landscape, ecology and tourism in Mpumalanga Province, South Africa. Other interests include intellectual history of anthropology, political anthropology of southern Africa, study of time, and linguistics.

Alberto Corsín Jiménez (2.10pm)

Describing collaboration as public good in education

Abstract:
This paper looks at the recent appearance of ethics as a vehicle for institutional reform in the management of knowledge in universities. The Council for Industry and Higher Education’s 2005 proposal for mirroring businesses’ ethical guidelines in universities is a case in point. The Council calls for making ethics a central aspect of all university education, echoing similar developments in industry, where an endorsement of corporate ethical behaviour is seen of utmost importance if trust in markets, following recent scandals, is to be restored. In this light, business and universities’ diverse agendas converge at the point where the ethical is called to make ‘society’ appear. Self-consciousness about the need for ethics (in management and education) summons an organisation’s publics (students, customers, shareholders, research councils, etc.) under one general rubric (the public good) and a similar model of sociality (accountable relations). Society and the public good thus appear as coterminous, blurring the differences between higher education and business, and their distinctive knowledge regimes, in the name of ethics. A parallel development is seeing the rise of knowledge transfer schemes and collaborative ventures between universities and the private sector. The paper argues that though collaboration may indeed be beneficial, the new language of ethics and public goodness does very little to help understand the nature of the social processes at work. Moreover, normative (ethical) descriptions of how institutions organize and manage their knowledge relations to ‘society’ miss the mark, because of their failure to redescribe the very social theory that is implicit in their accounts. A revised social theory of contemporary institutional collaboration, then, would need to attend to the terms through which the organisations redescribe themselves, a project that is here illuminated by comparing ethnographies of ethics in business and academia. Ethnographic description, unlike its normative counterpart, allows us to see how social theory naturalises its assumptions.

Bio:
Lecturer in the Anthropology of Organisations, Social Anthropology, University of Manchester. I read Economics in Madrid and worked for a couple of years as an economic analyst there and in London before switching to anthropology. In 1996 I completed an MSc in Social Anthropology at the London School of Economics and moved to Oxford to do my D.Phil. (2001), which involved two years of fieldwork (1997-1999) in Antofagasta, a mining town in the Atacama Desert, Chile. Between 2001 and 2003, I held a British Academy Postdoctoral Research Fellowship at St Hugh's College, Oxford, and did another 6 months of fieldwork in Chile, this time between Antofagasta and Maria Elena (a desert mining community). I joined the Department of Social Anthropology at the University of Manchester in 2003.

My interests are in theories of economy, personhood and sociality. I am also interested in how the social acquires ethical forms, especially under regimes of capitalist ccountability and organisation. I am currently researching the emergence of the corporation as a social form in the Atacama desert in the first half of the 20th century, with particular attention to the forms of 'society' that it created and related to.

Discussion (2.30pm)

Tea break (3pm)

Casper Bruun Jensen (3.30pm)

Description as inquiry and experimentation: on the multiplicity of usefulness in/of ethnographic practice

Abstract:
As part of an interdisciplinary research project, which has as a mandate both to carry out research and to use it to inform policy makers the pressures of prescriptive interdisciplinarity are palpable. The paper proposes that these pressures are linked to more general anxieties of the social sciences, which might be referred to as respectively “the problem of stepping into” explored practices and “problem of staying on the outside”. Getting a purchase on the point and creativity of ethnographic description requires a de-dramatisation of these fears.

My studies suggest that the social scientist has need of both the repertoires of stepping into and staying outside to accomplish ‘usefulness’ in different settings. This requires a constant effort to sort attachments to various parts of the field, because the different versions of the useful do not always align. Making the problem of the useful ethnographer amenable to description in (more or less) ethnographic terms is a first step in getting away from the dramatic scenarios of contamination (stepping into) and irrelevance (staying outside).

The challenge to think about the relation between description and creativity also encourages an attempt to re-dramatise the capacities of ethnographic description. What might description look like if taken seriously as first of all a performative matter of partial connection and sorting attachments? I want to explore this issue by considering what happens if an understanding of ethnographic practice and description as always multiple and variable is connected to pragmatic notions as Dewey’s “inquiry” and Deleuze’s “experimentation”. Emerging is a view of the risk and creativity of description as residing in the links, which are built as ethnographers (partially) describe practices and thereby (partially) make available different versions which to imagine future attachments and detachments.

Bio:
Casper received his doctoral degree from Information- and Media Studies, University of Aarhus, Denmark, for a study of the visions, development, and implementation of the electronic patient record. He is currently a Postdoctoral Fellow at the School of Communication and ACTION for Health Research Project, Simon Fraser University, Vancouver, Canada. He has recent publications in Social Studies of Science, Science, Technology and Human Values, and Qualitative Research. His present research deals with ethnographic studies of medical practice informed by non-humanist science and technology studies.

Dr Monica Konrad (3.50pm)

Travelling concepts

Abstract:
Thinking productively about the conceptual issues of concepts cannnot be the exclusive terrain of the philosopher. The dictum philosophy extracts concepts, science extracts prospects and art extracts affects (Deleuze and Guattari) is an artificial condensation of knowledge forms that overlooks the agility of concepts as potential collaboration devices for a galvanized comparability. If concepts can indeed travel between disciplines, traditions, scholars, regions and historical time-shifts, what might an anthropologist have to say about such knowledge movements in the light of current theorising in science and society debates?

This paper takes off from that point of exhaustive modernity where certain scientists and ethicists alike describe scientific breakthroughs as 'transparencies' - as effects beyond the social. It is said all too frequently, for example, that 'society' lags behind the pace of cutting edge innovations in the biosciences. The critical theorist might contend otherwise: instead of speeding up - ostensibly to catch up - it is incumbent upon the social sciences at the present time to 'slow down'. An anthropologically engaged form of 'slow-cook-thinking' might ask the following: how the value of concepts is to be kept under analytic vigilance - how the task of conceptual scrutiny is theorised through encounter with, rather than application to, the cultural objects under examination. A related issue is the formulation of an alternative vocabulary to the ideals of transparency and exhaustive coverage. What place is there [left] for the academic whose descriptions do not seek to make things explicit?

Bio:
Monica Konrad teaches at the Department of Social Anthropology, University of Cambridge and is a Bye-Fellow of Girton College. She directs ‘PLACEB-O’ (Partners Linked Across Collaborations in Ethics and the Biosciences), a Research Orbital bringing together scholars inside and outside of Cambridge to explore various aspects of collaborative practice. Her current research addresses the relevance of contemporary anthropology for global governance in science, international ethics, and interdisciplinary studies. She is the author of Nameless Relations (Berghahn, 2005) and Narrating the New Predictive Genetics: Ethics, Ethnography and Science (Cambridge University Press, 2005) and currently acts as anthropological advisor to bioethics councils in the UK and for the UN.

Georgie Born (4.10pm)

Description as excess and evidence

Abstract:
Description is never free of a driving analysis, whether explicit or implicit, coherent or inchoate. Ethnographic description - and even more reflexive ethnographic description - can both offend and seduce; it is accused of being both incomprehensibly detailed and richly suggestive. As much as ethnographic analysis, it has a history of evolving and contesting genres of description, which themselves belie any notion of neutral descriptive adequacy. If it attempts to refrain from the normative mode it often partly succeeds, but the normative can be glimpsed through the analytical elipses which frame description. More problematic are uses of description which claim to eschew the normative. Today even anthropologists question the wisdom of rich description, which is accused of excess; while 'thick description' resounds as cliche. These issues will be discussed with reference to the chequered career of my recent, intensely descriptive and normative ethnography of the BBC. The interest of the study is its attempt to experiment formally with yoking 'excessive' descriptions to 'purely' evidential functions - an archive of events, practices, discourses - while offering them up also to satisfy the 'evidence-based' demands of policy, all the time allowing them to defy the latter demands in their unruly criteria of self-adequacy - which refuses reduction.

Bio:
Georgina Born is Reader in Sociology, Anthropology and Music in the Faculty of Social and Political Sciences, Cambridge. She is a Fellow of Emmanuel College and in 1997-98 was Senior Research Fellow at King's College. In 2002 she was a Fellow of the University of California Humanities Research Institute, engaged in collective research on Improvisation. From 1996-98 she was Visiting Professor in the Institute of Musicology, Aarhus University, Denmark. She trained in Anthropology at University College London and uses ethnography to study cultural production, knowledge systems and music. Her books are ‘Rationalizing Culture: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde’ (California 1995), an ethnography of music-science collaborations at IRCAM, which features the composer Alejandro Vinao; ‘Western Music and Its Others: Difference, Representation and Appropriation in Music’ (California 2000, ed. with D. Hesmondhalgh); and an ethnography of the BBC, ‘Uncertain Vision: Birt, Dyke and the Reinvention of the BBC’ (Secker and Warburg 2004). A current ESRC-funded project, ‘Interdisciplinarity and Society ­ A Critical Comparative Study’, maps the nature of interdisciplinarity between the arts and sciences, and natural and social sciences. Other current research analyses the changing modes of creativity and new ontologies attendant on music’s digitization; and the transformation of public service broadcasting in the digital era. Articles have appeared in the journals Screen, New Formations, Social Anthropology, Cultural Anthropology, American Anthropologist, and the Modern Law Review. Her studies of the BBC and of PSB have led to involvement in media policy in Britain and Europe.

Discussion (4.30pm)

Close (5pm)

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